I'm pretty choosy about my contacts on Flckr. Increasingly so, because you get a lot of dross appearing in your contact pictures otherwise, but I still have shedloads of people in my contacts section. 356 as of this evening. Note: I have nowhere near as many Facebook Friends and even fewer (I typed less originally then corrected myself) actual friends (thank heavens).
But on Flickr I have 356 contacts.
Some of these have billions of people attached to them as contacts. As far as I can see it literally everyone who "contacts" them will get the compliment returned.
In the most positive light this is very polite.
In a less positive light it suggests that these users are very self-promotional. If that is truly a negative, I don't know. I use Flickr to get people to look at my work, which is self promotional, they're just taking it to an extreme I wouldn't consider. I can call it sharing as much as I like, but like many users I'd be pretty pleased if I sold some prints as a result of my Flickr activity, so I know it does go beyond that for me.
The real problem with this for me is that I genuinely enjoy looking at some of the photographs from other users, and if you add everyone then you never see anything you like. Ten billion photos of badly exposed cats, or poorly cropped puddles; I just don't need it. I do have pictures of puddles in my favs, and also the rare shot of a cat (which has to be really good to get there - if you've got a cat, or any domesticated creature, in my favs, feel very pleased with yourself - top marks), but I like the contacts section to contain, well at least 20% of stuff I can enjoy, and maybe 1% I can really love, and too many contacts weights the odds in favour of ugly cats.
For the first time in ages though, I checked my contacts notifications. If someone adds me as a contact I will always, but always, give their photostream a look. First page only sometimes, or a couple of pages if I quite like their work, but am not sure if they will regularly get near that 20%. It's a bit choosy and particular, but so am I.
Sometimes I check out the profile, but not that often. Maybe if I really like their work. Today though I checked someone out and noticed that I was one of about 20 contacts.
Which impressed me. I mean that shifts the whole self-promotion thing the other way. How cool to only have the people that you like a lot to appear in your contacts.
Of course I am probably reading far too much into this. Most likely a casual user, as I used to notice that most people had shedloads of contacts on Flickr. So as I went through checking out the people who'd added me, I looked at their contact number numbers too, and was suitably impressed to discover that most of those who'd added me had relatively low nos.
What does this mean? I honestly don't know, but I've recently had a spell of using Flickr less than I would like, and taking photos less too, life being what happens whilst I'm busy making other plans to paraphrase John Lennon, and I've been trying to work out why I was still getting a steady stream of hits. Not from blogs or external sites so much, but from the internal Flickr hits and this is my only explanation.
So, I'm flattered potentially, even though my logic may be off and I may well be deluding myself terribly (hey I'm writing a blog read by almost no-one though - so self-delusion is clearly part of my armoury) but if I am right, I do feel slightly envious of their lovely vanilla dross-free contacts list.
Maybe I'll go thorough my contacts and do a little pruning of numbers myself. Only a few, here and there, and if you're left at the end it must mean I really like your work. Maybe.
I maybe selling myself short though. I officially have one "follower" on the blog. Woo.
Sunday, 10 October 2010
Contacts on Flickr
Leysdown on Mars
So this is my most popular image.
In terms of hits alone. It gets loads of hits. Nowhere near one of my favourites, but it's very popular and I suppose striking in a way that I feel almost detached from given the chance method of it's creation.
Good cloud though, and the angle of the wide-angle really does give the sky a vaguely 3-dimensional effect.
Actually though there is an element of accident in many of my favourite photographs that I've taken, but I'm happy to take responsibility for those. This seems more automated and computerized.
This is my second most popular, and as and there was also a large degree of fluke to it's creation.
There were loads of other light-stream, long exposure shots that I took that night around Saint Pauls, and initially I reckoned that I had messed this one up, but I hit the button and the Bus decided to park smack bang in the middle of my shot. However once I saw it I knew that I was indeed done for the day.
No need to take anymore as I had my shot.
Saturday, 9 October 2010
Wedding bells
Doing my first Wedding in a couple of weeks.
Nerve-wracking thought.
It's for a work-mate, cost only, which gives me, in theory the chance to take my pictures in a relatively stress free environment. The happy couple are fairly relaxed about it, but it's important to me, to make sure I do a good job.
I'm in the process of trying to "monetize" the whole photography thing, and weddings are the obvious starting point to fund all the lovely equipment I want to buy. I fancy some lovely Nikkor glass rather than Sigma.
Also, I'm in the process of setting up a website to start offering freelance photographic services (i.e. not doing wedding on cheap) at http://www.anthonygibbonsphotography.co.uk . Bit of a work in progress at the moment, though I'll have it finished by the date of the wedding on the 30th October. It's a Google website thingummy, so a bit generic and dull, but I'm going to re-host it and stick up a more fancy html-built website in a couple of weeks.
Also going to sign up to Shutterstock and put a selection of my best shots, or stock-photography friendly shots on to sell them.
I might not be able to give up the day job just yet, but I can dream.
Wednesday, 20 May 2009
The gates of heaven?
Some of my more popular shots have started getting tons of hits, and into explore and the like, but this one, was especially pleased with. Really happy with the concept, the story, and the tones and the composition, and it just kind of scrapes along. Not entirely ignored, 30 or so hits, but nothing major.
http://www.flickr.com/photos/dagenhamdave/sets/72157614467467613/
Don't misunderstand me, I'm aware that it's regarded as shallow in some circles to want people to look at your photos, but my view is that unless you're just sticking snaps up for the family, why wouldn't you want people to look at your work.
Friday, 15 May 2009
Barking and Dagenham 'explored'
This is the outside of Barking Library looking rather wonderful and most unlike Barking. I really like what they're doing with Barking Town Centre, it's really bright and garish (though not in this shot), but really fun and cool. A lot of people have said about it that they can't stand the way this building looks, particularly this stuff (which was my very first (or second?) picture that 'explored'):
I worry a bit that it will age badly in the long-term, don't know, this sort of stuff often fares poorly in the British weather, but at the moment it's great.
This area should to age rather well:
Barking and Dagenham at it's rural best.
Wednesday, 13 May 2009
Hey, I've got a blog
Forgot that I'd even created it.
Not done much with my photos lately anyway. My other half is finishing her degree so my life is mainly based around work and kids. I've become something of a domestic goddess.
Well not really. My house is very untidy, and I've put on a few pounds of ready-meal padding, but hey, my kids feel loved.
She stuck her dissertation in today though, which means that I've got time to start adding photos to Flickr before we all cop it from swine flu.
Took the kids to the seaside for a week, and for about five minutes every day nipped outside the caravan to take a few photos. Strangely limiting, but it encourages you to look a little nearer to home for inspiration.
Best shot from this spell:
Come, Armageddon Come after the Morrissey song.
It's a picture of Leysdown, in Kent, on the Isle of Sheppey. I'm told that Sheppey has some of the lowest levels of poverty, or highest rather, in the whole of the country. They haven't even a senior school. It is slightly barren, but I really like it here. Especially the wind turbines and the Forts out at sea. Gret place, but slightly seedy; in a good way...
The whole sense is of a town that time forgot, like the Morrissey song, (Every Day is like Sunday) pervades; though thanks to the credit crunch, it's busier than I've seen it in years.
This should be good, but I'm not sure that the return of the Costa-del-alcoholics back to UK campsites is necessarily a good thing. My kids like it being busy, nut it didn't stop some little sod nicking their scooter, and another threatening to beat up my daughter. Unheard of behaviour in recent years.
I love the way this photo came out. When I printed it, it was as though you could touch the railing on the right, almost 3 dimensional. Very pleased with it.
My youngest also wanted to go off an play, but I think that she's got a while yet.
Loads more photos to come, from here and Barking, Dagenham an elsewhere soo.
I've a whole bunch of Leysdown pics here, too:
http://www.flickr.com/photos/dagenhamdave/sets/72157616862929216/
http://www.flickr.com/photos/dagenhamdave/sets/72157605046175791/
Come back capitalism, all is forgiven.